Classical Horn

Concerto Köln:

Simone Kermes, Bel Canto, Sony, 2013; Henri-Joseph Rigel, Symphonies, Berlin Classics, 2009; Amoureuses, Patricia Petitbon, Daniel Harding, 2008; The Mozart CD, 2006; The Waltz, Ecstasy and Mysticism, Sarband, 2005; Wilms, Symphony 6&7, 2004, Der Traum vom Orient, 2003, Deutsche Grammophon Archiv. Gordon/Lang/Wolfe, Lost Objects, 2001; Mozart, Piano Concertos nos. 18 & 19, Andreas Steier, 2000; Anton Eberl, Symphonies, 2000;  Mannheim the Golden Age, 1999;  John Field, Piano Concertos 2 & 3, 1999;  Vanhal, Symphonies, 1996;  Rosetti, Symphonies, Vol.1/2, 1995/97;  Salieri, Steffan Piano Concertos, Andreas Steier, 1995. Teldec.
René Jacobs, Mozart, Figaros Hochzeit, 2004; Mozart, Così fan tutte, 1999, Harmonia Mundi. F.J. Gossec, Symphonies, 2003; The Mozart Album, 2002;  Dussek, Klavier Konzerte, Andreas Steier, 1995;  Brunetti, Symphonies, 1994;  Sinfonias Espanolas, 1993;  J.M. Krauss Symphonies, vol.1/2, 1991/92;  Mozart, Flute and Harp, Oboe Concerti, 1991; Cappricio


Freiburger Barockorchester:

René Jacobs, Mozart, Symphonies 39 & 40, Harmonia Mundi, 2010.

Balthasar Neumann Ensemble:

Mozart, La Finta Semplice, DVD, 2006.

Anima Eterna:

Jos van Immerseel, Complete Beethoven Symphonies, ZigZag, 2006/07/08.  

Das Neue Orchester, Christoph Spering, Schumann, Der Rose Pilgerfahrt/ Requiem, 2011, Oehms Classics; Beethoven’s 9th Symphony, 2008; Schubert, Symphonien Nr. 5 & 8, 1997; Mendelssohn, Symphony Nr. 2, 1993, Opus 111.  

La Stagione Frankfurt, Michael Schneider, Beck, Symphonies op. 3 Nr. 3 & 5, CPO, 2006. Neue Münchener Hofkapelle, Christoph Hammer, Musik der Münchener Hofkapelle, Cappricio, 2000. Mozart, Klavier Konzerte, Konzert Arie, Callig,1995. Capella Augustina,  Andreas Spering, Haydn, Die Schöpfung, CPO,1993.  



Saving lost music for horn

Music from A.E. Fischer editions, Bremen, 1896, formerly lost in WW II, was recorded on original instruments.

Endangered by the Corona crisis: A CD production with many first recordings of German romantic literature, recorded on original instruments, including a horn with an engraving from A.E. Fischer Bremen! The funds for the mastering and pressing of the CDs as well as the costs for the graphic design and printing of the booklet are still missing.  The music from the collection Solo Buch für Waldhorn wants to live and touch listeners once more. You can support this project by clicking on the link. You can read my article about salon music that appeared in the Horn Call 02.2020, by clicking here.

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